Two Poems Written on Flight 369 to San Francisco
I.
The man across the aisle asks for a pen,
and the woman next to me searches.
I remain silent, though I have
five pens in my briefcase.
Which should I lend?
The big, orange Conklin?
The amber Waterman Carene?
The blue-marbled Parker Sonnet?
Or one of the Waterfords,
One faceted silver,
The other deep, transparent, royal blue?
I am a woman rich in pens,
and I do not share.
II.
The man in back of me says:
“Taiwan, with all its mountains
and its… typography, is beautiful.”
In my mind’s eye, I see
rugged fonts like mountain ranges;
thin, graceful fonts like bamboo forests;
square fonts like cities;
curving fonts like brush strokes or rivers;
fonts shaped like villages, paddies,
factories, schools, prisons;
fonts as round as faces or moons.
The man across the aisle asks for a pen,
and the woman next to me searches.
I remain silent, though I have
five pens in my briefcase.
Which should I lend?
The big, orange Conklin?
The amber Waterman Carene?
The blue-marbled Parker Sonnet?
Or one of the Waterfords,
One faceted silver,
The other deep, transparent, royal blue?
I am a woman rich in pens,
and I do not share.
II.
The man in back of me says:
“Taiwan, with all its mountains
and its… typography, is beautiful.”
In my mind’s eye, I see
rugged fonts like mountain ranges;
thin, graceful fonts like bamboo forests;
square fonts like cities;
curving fonts like brush strokes or rivers;
fonts shaped like villages, paddies,
factories, schools, prisons;
fonts as round as faces or moons.
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